{"title":"CD","description":"","products":[{"product_id":"arboresque-cd","title":"ARBORESQUE: CD","description":"\u003cp\u003eFresh off their 2nd consecutive win for “Jazz Group of the Year” in the DownBeat Readers Poll, ARTEMIS returns with their third Blue Note album ARBORESQUE. Featuring a quintet line-up helmed by pianist and musical director Renee Rosnes, the band has been deemed “a femme fatale supergroup” by NPR Music with a stellar line-up of pre-eminent jazz musicians: trumpeter Ingrid Jensen, saxophonist Nicole Glover, bassist Noriko Ueda, and drummer Allison Miller. ARBORESQUE is a vibrant 8-song set that presents original compositions by each of the band members as well as arrangements of pieces by Wayne Shorter, Burt Bacharach, and Donald Brown.\u003c\/p\u003e\u003cp\u003e1. The Smile of the Snake \u003cbr\u003e2. Komorebi\u003cbr\u003e3. Sights Unseen\u003cbr\u003e4. Petrichor\u003cbr\u003e5. Footprints\u003cbr\u003e6. Olive Branch\u003cbr\u003e7. 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In the summer of 1967 Ella Fitzgerald was in a particularly interesting place.  She was in the middle of an especially rewarding three-year touring and recording collaboration with Duke Ellington and was incorporating hit pop songs of the late-60s into her concert repertoire—two of which are presented here for the first time on record. The tapes were recently unearthed in the private collection of Verve Records founder Norman Granz. Mixed directly from 4-track tapes recorded by Wally Heider—resulting in higher-fidelity audio than most ‘lost’ recordings. Ella’s band features the rarely-heard but hard-swinging trio of Jimmy Jones, Bob Cranshaw and Sam Woodyard. The Ellington band captured here was at its peak, featuring Cat Anderson, Cootie Williams, Harry Carney, Paul Gonsalves, Jimmy Hamilton, Johnny Hodges and Russell Procope\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e1. The Moment Of Truth \u003cbr\u003e2. Don’t Be That Way\u003cbr\u003e3. 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Impressed by her grasp of the standards and her originality, Lundvall offered her a demo deal with the option for the label to extend this to a full album deal. Norah mixed up the record with a focus on originals she and her band had written rounded out with a few jazz standards she loved. The collection of 13 songs, recorded over three days at Sorcerer Sound in Soho was engineered by Jay Newland who had worked on Etta James’ Billie Holiday tribute record ‘Mystery Girl’. The band: the same as that she had been gigging with—Jesse Harris on guitar, Lee Alexander on bass, and Dan Reiser on drums. Adam Rogers and Tony Scherr played guitar on a few additional songs and tabla player Vikram Gosh joined for one cut on the demo. Lundvall signed Norah as a Blue Note artist off the back of the thirteen tracks submitted.\u003c\/p\u003e\n\n\u003cp\u003ePrior to cutting the album, the best of these demos were released as a limited-edition promotional EP, titled First Sessions. 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Mardin and Jones chose the best of the demos and the Craig Street sessions—'Don’t Know Why’ and ‘Turn Me On’ from the demo sessions and ‘The Long Day Is Over,’ ‘Feeling The Same Way,’ and ‘Seven Years’ from the Allaire sessions, all with a few new overdubs and new mixes—and recorded nine additional songs in the same spirit of the demos, with the original trio of Harris, Alexander and Reisler, plus Brian Blade back on drums, Adam Levy on guitar, and Jenny Scheinman on violin.\u003c\/p\u003e\n\n\u003cp\u003eUltimately, all three sessions played a unique part in making the record what it ended up being: An eight-time Grammy Award®-winning album that Rolling Stone described as ‘One of the best debut albums of all time,’ that has gone on to sell close to 30 million units to date. ‘In the end I was so thankful that I got to explore a few different paths before putting them all together. No one, including the label, had any idea it would reach the success that it did. 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The program encompasses two inspired multi-movement suites that O’Farrill has conceived in collaboration with the Cuban Malpaso Dance Company: “Despedida,” a meditation on farewells, and “Dreaming in Lions,” inspired by Ernest Hemingway’s novella The Old Man and the Sea.\u003c\/p\u003e\n\n\u003cp\u003eFor O’Farrill, suites afford the space to convey extended narratives and cinematic ideas, a broadness of scope and intent that interests him most as a composer. Like his father, the late legendary bandleader Chico O’Farrill, he is committed to breaching musical boundaries in search of genuine, elevated expression. “I’m so grateful for my father and all my mentors who challenged me to be more open to different influences,” O’Farrill says. He has transmitted these values in turn to his sons, trumpeter Adam O’Farrill and drummer Zack O’Farrill, both of whom are featured on dreaming in lions. 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